By Alan M. Wald
constructing new issues of touch between Kenneth Fearing, Ann Petry, Alexander Saxton, Richard Wright, Jo Sinclair, Thomas McGrath, and Carlos Bulosan, Wald argues that those writers have been in discussion with psychoanalysis, existentialism, and postwar modernism, frequently producing moods of piercing emotional acuity and cosmic dissent. He additionally recounts the contributions of lesser identified cultural employees, with a special accessory on gays and lesbians, secular Jews, and folks of colour. The vexing ambiguities of an period Wald labels "late antifascism" serve to border a magnificent collective biography.
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