An exploration of the ancient origins of the “witches’ ointment” and medieval hallucinogenic drug practices in line with the earliest assets
• information how early smooth theologians demonized psychedelic people magic into “witches’ ointments”
• stocks dozens of psychoactive formulation and recipes gleaned from infrequent manuscripts from college collections worldwide in addition to the practices and magical incantations helpful for his or her guidance
• Examines the practices of medieval witches like Matteuccia di Francisco, who used hallucinogenic medicines in her love potions and natural arrangements
In the medieval interval arrangements with hallucinogenic herbs have been a part of the perform of veneficium, or poison magic. This number of magical arts used poisons, herbs, and rituals to bewitch, heal, prophesy, infect, and homicide. within the type of psyche-magical ointments, poison magic may possibly set off robust hallucinations and surrealistic desires that enabled direct adventure of the Divine. Smeared at the epidermis, those entheogenic ointments have been acknowledged to let witches to commune with a number of neighborhood goddesses, bastardized by way of the Church as journeys to the Sabbat--clandestine conferences with devil to benefit magic and perform demonic orgies.
Examining trial files and the pharmacopoeia of witches, alchemists, people healers, and heretics of the fifteenth century, Thomas Hatsis information how a variety of principles from folks medications to ecclesiastical fears over drugs ladies merged to shape the classical “witch” stereotype and what historical past has referred to as the “witches’ ointment.” He stocks dozens of psychoactive formulation and recipes gleaned from infrequent manuscripts from college collections from around the globe in addition to the practices and magical incantations useful for his or her coaching. He explores the connections among witches’ ointments and spells for form moving, spirit go back and forth, and bewitching magic. He examines the practices of a few Renaissance magicians, who inhaled robust medications to speak with spirits, and of Italian folk-witches, corresponding to Matteuccia di Francisco, who used hallucinogenic medicinal drugs in her love potions and natural arrangements, and Finicella, who used drug ointments to visualize herself remodeled right into a cat.
Exploring the untold historical past of the witches’ ointment and medieval hallucinogen use, Hatsis unearths how the Church remodeled people drug practices, particularly entheogenic ones, into satanic experiences.